Patricia Briggs, the #1 New York Times bestselling author of the Mercy Thompson novels, “always enchants her readers" (Lynn Viehl). Now her Alpha and Omega series—set in a world of shifting shapes, loyalties, and passions—comes vividly to life in this collection of four comic books based on Cry Wolf, the first book in the series.
Anna never knew werewolves existed, until the night she survived a violent attack…and became one herself. After three years at the bottom of the pack, she’s learned to keep her head down and never, ever trust dominant males. Then Charles Cornick, the enforcer—and son—of the leader of the North American werewolves, came into her life.
Charles insists that not only is Anna his mate, but she is also a rare and valued Omega wolf. And it is Anna’s inner strength and calming presence that will prove invaluable as she and Charles go on the hunt in search of a rogue werewolf—a creature bound in magic so dark that it could threaten all the pack…
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Creators
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Series
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Publisher
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Release date
June 30, 2014 -
Formats
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OverDrive Read
- ISBN: 9781101616352
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Languages
- English
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Reviews
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Publisher's Weekly
October 8, 2012
Briggs’s Mercy Thompson urban fantasy series has its fans, with her novel Cry Wolf hitting the New York Times bestseller list a few years back. But based on this poorly conceived graphic novel adaptation, it’s hard to see why. Set in a small Montana town that’s secretly run by a powerful clan of werewolves, the drama rotates around the arrival of Anna, a woman who was turned into a werewolf by the Chicago clan and who seems to be something called an “Omega.” Why her being an Omega is important is kept secret, but wouldn’t you know there’s an Alpha around to balance things out? There is some weakly flickering romance between Anna and her were soul mate Charles—son of the clan leader—and a light mystery involving some mysterious attacks on humans, but nothing that would keep readers coming back for volume two. The blocky artwork will help ensure that the only people much interested will be fans of the (assumedly more engaging) print novels.
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